The Saraxbari Buzruk Maqam And The Analysis Of Its First Melodic Piece

dc.contributor.author	Afruza Yunusaliyeva
dc.date.accessioned	2025-12-28T13:49:17Z
dc.date.issued	2025-11-11
dc.description.abstract	This article analyzes the first tarona of the Saraxbory Buzruk maqom from a musical-theoretical perspective. It explores the modal-tonal structure, melodic organization, rhythmic characteristics, and performance style of the piece. The study highlights the stages of melodic development and the artistic significance of this tarona within the maqom tradition. The analysis concludes that the first melodic piece of Saraxbory Buzruk exemplifies artistic harmony, emotional depth, and the refined aesthetics of Uzbek classical music
dc.format	application/pdf
dc.identifier.uri	https://periodica.org/index.php/journal/article/view/1110
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/7261
dc.language.iso	eng
dc.publisher	Periodica Journal
dc.relation	https://periodica.org/index.php/journal/article/view/1110/929
dc.rights	https://creativecommons.org/licenses/by-nc/4.0
dc.source	Periodica Journal of Modern Philosophy, Social Sciences and Humanities; Vol. 48 (2025): PERIODICAL; 11-13
dc.source	2720-4030
dc.subject	maqom
dc.subject	Saraxbory Buzruk
dc.subject	tarona
dc.subject	mode
dc.title	The Saraxbari Buzruk Maqam And The Analysis Of Its First Melodic Piece
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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