Status Singing in Uzbek Music

dc.contributor.author	Javokhirkhoja Sodiqhkojaugli Kayumov
dc.date.accessioned	2026-01-01T10:32:41Z
dc.date.issued	2023-04-26
dc.description.abstract	The art of status in Uzbek music performance has been surprising listeners with its mysterious world since time immemorial. Voice interpretation, musical performance, and human qualities have been passed down over time as important factors in Maqom's solo singing. In the past, khans in voice interpretation, that is, the field of singing, was formed and developed in different directions and styles. Based on this, in the form of voice interpretation, the unique values, dialect and life traditions of each nation and people are expressed in their songs.
dc.format	application/pdf
dc.identifier.uri	https://zienjournals.com/index.php/tjpch/article/view/3804
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/60213
dc.language.iso	eng
dc.publisher	Zien Journals
dc.relation	https://zienjournals.com/index.php/tjpch/article/view/3804/3154
dc.rights	https://creativecommons.org/licenses/by/4.0
dc.source	Texas Journal of Philology, Culture and History ; Vol. 17 (2023): TJPCH; 58-60
dc.source	2770-8608
dc.subject	music
dc.subject	Musical education
dc.subject	songs
dc.title	Status Singing in Uzbek Music
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion

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