Figurativeness - As The Principle Of The Imagery Of Pop Music

dc.contributor.authorZuxra Sotvoldievna Sadikova
dc.date.accessioned2025-12-28T13:47:37Z
dc.date.issued2023-11-20
dc.description.abstractThis article explores the role of figurativeness as a fundamental principle shaping the imagery and language of pop music. Figurative devices like metaphor, simile, hyperbole, and personification are examined as tools pop artists employ to convey meanings beyond literal interpretations of lyrics. Theoretical analysis reveals how figurativeness allows more profound expression of themes in pop music related to love, heartbreak, identity, empowerment, protest, and more. Perspectives from linguistics, literary theory, aesthetics, and musicology are synthesized to assess the functions and effects of figurative language in pop music poetics and songwriting. Ways figurative language converges with musical elements like melody, rhythm, and vocals to create an immersive aesthetic experience are also investigated. Findings support figurativeness as a defining property of pop music poetics that enables the genre’s affective impact and cultural resonance.
dc.formatapplication/pdf
dc.identifier.urihttps://periodica.org/index.php/journal/article/view/663
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/6910
dc.language.isoeng
dc.publisherPeriodica Journal
dc.relationhttps://periodica.org/index.php/journal/article/view/663/567
dc.rightshttps://creativecommons.org/licenses/by-nc/4.0
dc.sourcePeriodica Journal of Modern Philosophy, Social Sciences and Humanities; Vol. 24 (2023): PERIODICAL; 28-32
dc.source2720-4030
dc.subjectfigurative
dc.subjectlanguage
dc.subjectmetaphor
dc.titleFigurativeness - As The Principle Of The Imagery Of Pop Music
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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