THE PRESERVATION AND PROMOTION OF BAKHSHI AND MAQOM ART

dc.contributor.authorAhmedov Elmurod G‘anisherovich
dc.date.accessioned2025-12-29T12:35:45Z
dc.date.issued2025-11-26
dc.description.abstractThis article explores the interrelation between the Bakhshi (epic) art and the Maqom musical tradition, emphasizing their preservation and promotion within Uzbek diaspora communities. It highlights the cultural, educational, and diplomatic roles of Maqom in strengthening Uzbekistan’s cultural identity abroad. Furthermore, the paper analyzes international cooperation in safeguarding these intangible cultural heritages
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dc.identifier.urihttps://westerneuropeanstudies.com/index.php/2/article/view/2996
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/19318
dc.language.isoeng
dc.publisherWestern European Studies
dc.relationhttps://westerneuropeanstudies.com/index.php/2/article/view/2996/2075
dc.rightshttps://creativecommons.org/licenses/by-nc/4.0
dc.sourceWestern European Journal of Linguistics and Education; Vol. 3 No. 11 (2025): WEJLE; 58-61
dc.source2942-190X
dc.subjectBakhshi art
dc.subjectMaqom
dc.subjectdiaspora
dc.titleTHE PRESERVATION AND PROMOTION OF BAKHSHI AND MAQOM ART
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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