PEDAGOGICAL PRINCIPLES OF THE HISTORY OF MUSIC PEDAGOGY AND DIDACTIC POSSIBILITIES OF ITS USE

dc.contributor.authorIbadullaeva Zamira Kuanishovna
dc.date.accessioned2025-12-29T18:48:27Z
dc.date.issued2024-12-12
dc.description.abstractThe article reveals the pedagogical foundations of the history of music pedagogy and the didactic possibilities of its use, which, according to the authors, are the most significant and relevant. Among them is the mono-artistic approach, which allows studying individual types of art in the system of general education, primary vocational secondary and higher vocational education.
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dc.identifier.urihttps://webofjournals.com/index.php/9/article/view/2486
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/26216
dc.language.isoeng
dc.publisherWeb of Journals Publishing
dc.relationhttps://webofjournals.com/index.php/9/article/view/2486/2460
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.sourceWeb of Humanities: Journal of Social Science and Humanitarian Research; Vol. 2 No. 12 (2024): WOH; 78-81
dc.source2938-3803
dc.subjectMusic education, music pedagogy, didactic possibilities, history, methods
dc.titlePEDAGOGICAL PRINCIPLES OF THE HISTORY OF MUSIC PEDAGOGY AND DIDACTIC POSSIBILITIES OF ITS USE
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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