REGIONAL SCHOOLS OF UZBEK TRADITIONAL SINGING: FERGANA, BUKHARA, AND KHIVA STYLES

dc.contributor.author	Nazarov Sherzod
dc.date.accessioned	2025-12-29T14:28:01Z
dc.date.issued	2025-06-13
dc.description.abstract	This article presents an artistic analysis of the three main regional schools of traditional Uzbek singing: Fergana-Tashkent, Bukhara, and Khiva styles. The aesthetic characteristics, performance techniques, melodies, instruments, and poetic materials of each school are described. The article also reveals the musical and cultural uniqueness of each regional school through the work of famous singers. Additionally, it provides insights into the interrelation between these schools and their roles in the development of national art.
dc.format	application/pdf
dc.identifier.uri	https://webofjournals.com/index.php/1/article/view/4617
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/22098
dc.language.iso	eng
dc.publisher	Web of Journals Publishing
dc.relation	https://webofjournals.com/index.php/1/article/view/4617/4571
dc.rights	https://creativecommons.org/licenses/by-nc-nd/4.0
dc.source	Web of Teachers: Inderscience Research ; Vol. 3 No. 6 (2025): WOT; 94-96
dc.source	2938-379X
dc.subject	Singing schools, Fergana style, Bukhara maqom, Khiva song, traditional music, maqom, melody, performance style, national art, Uzbek culture.
dc.title	REGIONAL SCHOOLS OF UZBEK TRADITIONAL SINGING: FERGANA, BUKHARA, AND KHIVA STYLES
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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