PHOTOGRAPHY AS A DOCUMENT OF TIME: VISUAL NARRATIVES IN URBANISM AND SOCIAL MEMORY

dc.contributor.author	Elizabeth Glazko
dc.date.accessioned	2025-12-28T10:50:28Z
dc.date.issued	2025-11-30
dc.description.abstract	This article analyzes photography as a tool for documenting time and shaping visual narratives in urban studies and social memory. It examines the dual nature of photography: as a means of capturing reality and as a mechanism for interpreting it. Particular attention is paid to the role of photographic images in constructing collective identity, preserving urban memory, and visualizing social transformations. The work draws on contemporary research in visual culture, urban studies, and the sociology of memory.
dc.format	application/pdf
dc.identifier.uri	https://usajournals.org/index.php/2/article/view/1737
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/4392
dc.language.iso	eng
dc.publisher	Modern American Journals
dc.relation	https://usajournals.org/index.php/2/article/view/1737/1817
dc.rights	https://creativecommons.org/licenses/by/4.0
dc.source	Modern American Journal of Engineering, Technology, and Innovation; Vol. 1 No. 8 (2025); 154-162
dc.source	3067-7939
dc.subject	Photography, document of time, visual narratives, urban studies, social memory, visual culture, urban environment, archive, identity, cultural heritage.
dc.title	PHOTOGRAPHY AS A DOCUMENT OF TIME: VISUAL NARRATIVES IN URBANISM AND SOCIAL MEMORY
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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