Interpretation of the Image of Gavharshod Begim in Literary Books

dc.contributor.author	Yusupov Samandar
dc.date.accessioned	2026-01-01T12:36:08Z
dc.date.issued	2022-06-17
dc.description.abstract	This article examines the role and interpretation of Gavharshod Beg, one of the Timurid princesses, in historical and artistic works. Not only works of art but also historical works are used in the research process. The study examines the similarities and differences in the depiction of this historical figure. Based on the research, certain conclusions are drawn. Our comments will be presented. Works such as “Ulugʻbek xazinasi”, “Mirzo Ulugʻbek”, “Ona lochin vidosi” serve as objects of our research
dc.format	application/pdf
dc.identifier.uri	https://zienjournals.com/index.php/zjssh/article/view/1955
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/64078
dc.language.iso	eng
dc.publisher	Zien Journals
dc.relation	https://zienjournals.com/index.php/zjssh/article/view/1955/1648
dc.rights	https://creativecommons.org/licenses/by-nc/4.0
dc.source	Zien Journal of Social Sciences and Humanities; Vol. 9 (2022): ZJSSH; 21-22
dc.source	2769-996X
dc.subject	Shahrukh Mirza
dc.subject	successor
dc.subject	sayyids
dc.subject	Samarkandi
dc.title	Interpretation of the Image of Gavharshod Begim in Literary Books
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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