TRADITIONAL SINGING: ROOTS OF UZBEK MUSICAL CULTURE

dc.contributor.authorMa’rufjon Xalilov
dc.date.accessioned2025-12-29T14:28:02Z
dc.date.issued2025-06-13
dc.description.abstractThis scientific article explores the formation, historical evolution, and current state of traditional Uzbek vocal art. It examines major regional performance schools — Bukhara, Fergana-Tashkent, and Khorezm — analyzing their stylistic characteristics. The study also investigates the connection between vocal performance and maqom music, the role of the master-apprentice system, and the contribution of female singers. Traditional singing is presented as a core component of the national musical identity and intangible cultural heritage of Uzbekistan.
dc.formatapplication/pdf
dc.identifier.urihttps://webofjournals.com/index.php/1/article/view/4619
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/22100
dc.language.isoeng
dc.publisherWeb of Journals Publishing
dc.relationhttps://webofjournals.com/index.php/1/article/view/4619/4573
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.sourceWeb of Teachers: Inderscience Research ; Vol. 3 No. 6 (2025): WOT; 100-101
dc.source2938-379X
dc.subjectTraditional singing, Uzbek music culture, vocal performance, regional schools, maqom, master-apprentice tradition, poetic repertoire, female singers, intangible heritage, national identity.
dc.titleTRADITIONAL SINGING: ROOTS OF UZBEK MUSICAL CULTURE
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

item.page.files

item.page.filesection.original.bundle

pagination.showing.labelpagination.showing.detail
loading.default
thumbnail.default.alt
item.page.filesection.name
xalilov_2025_traditional_singing_roots_of_uzbek_music.pdf
item.page.filesection.size
245.05 KB
item.page.filesection.format
Adobe Portable Document Format

item.page.collections