TRADITIONAL SINGING: ROOTS OF UZBEK MUSICAL CULTURE
| dc.contributor.author | Ma’rufjon Xalilov | |
| dc.date.accessioned | 2025-12-29T14:28:02Z | |
| dc.date.issued | 2025-06-13 | |
| dc.description.abstract | This scientific article explores the formation, historical evolution, and current state of traditional Uzbek vocal art. It examines major regional performance schools — Bukhara, Fergana-Tashkent, and Khorezm — analyzing their stylistic characteristics. The study also investigates the connection between vocal performance and maqom music, the role of the master-apprentice system, and the contribution of female singers. Traditional singing is presented as a core component of the national musical identity and intangible cultural heritage of Uzbekistan. | |
| dc.format | application/pdf | |
| dc.identifier.uri | https://webofjournals.com/index.php/1/article/view/4619 | |
| dc.identifier.uri | https://asianeducationindex.com/handle/123456789/22100 | |
| dc.language.iso | eng | |
| dc.publisher | Web of Journals Publishing | |
| dc.relation | https://webofjournals.com/index.php/1/article/view/4619/4573 | |
| dc.rights | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
| dc.source | Web of Teachers: Inderscience Research ; Vol. 3 No. 6 (2025): WOT; 100-101 | |
| dc.source | 2938-379X | |
| dc.subject | Traditional singing, Uzbek music culture, vocal performance, regional schools, maqom, master-apprentice tradition, poetic repertoire, female singers, intangible heritage, national identity. | |
| dc.title | TRADITIONAL SINGING: ROOTS OF UZBEK MUSICAL CULTURE | |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Peer-reviewed Article |
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