History Of The Andijan Polkasi

dc.contributor.author	Usmanova Gulasal Normuhammad qizi
dc.date.accessioned	2026-01-01T12:37:21Z
dc.date.issued	2025-02-08
dc.description.abstract	This article provides a comparative analysis of scientific concepts aimed at studying the theoretical foundations and functions of Uzbek dance art. Theoretical ideas about Uzbek dance art are expressed on the basis of a set of scientific and theoretical views on the influence of folk traditional culture on the national dance art, a system of them, and their analysis.
dc.format	application/pdf
dc.identifier.uri	https://zienjournals.com/index.php/zjssh/article/view/5919
dc.identifier.uri	10.62480/zjssh.2025.vol41.pp1-5
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/64443
dc.language.iso	eng
dc.publisher	Zien Journals
dc.relation	https://zienjournals.com/index.php/zjssh/article/view/5919/4822
dc.rights	Copyright (c) 2025 Usmanova Gulasal Normuhammad qizi
dc.rights	https://creativecommons.org/licenses/by-nc/4.0
dc.source	Zien Journal of Social Sciences and Humanities; Vol. 41 (2025): ZJSSH; 1-5
dc.source	2769-996X
dc.subject	Choreographer
dc.subject	dramaturgy
dc.subject	libretto
dc.title	History Of The Andijan Polkasi
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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