PROCESSES OF REALIZATION OF KARAKALPAK FOLKLORE IN SYMPHONIC MUSIC OF 30-80 YEARS OF XX- CENTURY

dc.contributor.author	Jamil Charshemov
dc.date.accessioned	2025-12-29T14:23:29Z
dc.date.issued	2024-01-15
dc.description.abstract	The aim of this article is to reveal the originality of Karakalpak composers approaches to folklore, comparing their methods and techniques with those of their predecessors and contemporaries in other national schools, separating individuality from the typological features of the school and species features of the direction.
dc.format	application/pdf
dc.identifier.uri	https://webofjournals.com/index.php/1/article/view/655
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/21053
dc.language.iso	eng
dc.publisher	Web of Journals Publishing
dc.relation	https://webofjournals.com/index.php/1/article/view/655/635
dc.rights	https://creativecommons.org/licenses/by-nc-nd/4.0
dc.source	Web of Teachers: Inderscience Research ; Vol. 2 No. 1 (2024): WOT; 33-36
dc.source	2938-379X
dc.subject	Symphony, symphonic music, symphonietta, composer, orchestra, genre, melody, zhyrau, folklore.
dc.title	PROCESSES OF REALIZATION OF KARAKALPAK FOLKLORE IN SYMPHONIC MUSIC OF 30-80 YEARS OF XX- CENTURY
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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