SUFI PHILOSOPHICAL CONCEPTS IN MAQOM MUSIC

dc.contributor.authorDavronova Aziza Mirzoyevna
dc.date.accessioned2025-12-29T12:35:46Z
dc.date.issued2025-11-28
dc.description.abstractThis article explores the historical and philosophical connections between maqom and Sufism, examining the educational and spiritual significance of music and mystical thought before and after the advent of Islam. It analyzes the spiritual and philosophical unity between maqom melodies and Sufi teachings, examples of maqoms resembling zikr, and the transformative influence of music in spiritual development
dc.formatapplication/pdf
dc.identifier.urihttps://westerneuropeanstudies.com/index.php/2/article/view/3001
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/19323
dc.language.isoeng
dc.publisherWestern European Studies
dc.relationhttps://westerneuropeanstudies.com/index.php/2/article/view/3001/2080
dc.rightshttps://creativecommons.org/licenses/by-nc/4.0
dc.sourceWestern European Journal of Linguistics and Education; Vol. 3 No. 11 (2025): WEJLE; 79-81
dc.source2942-190X
dc.subjectMaqom
dc.subjectUshshoq
dc.subjectGirya
dc.titleSUFI PHILOSOPHICAL CONCEPTS IN MAQOM MUSIC
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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