The Modern Gothic in Twentieth Century

dc.contributor.author	Khabibova Shakhnoza Ismatullaevna
dc.date.accessioned	2026-01-01T21:14:47Z
dc.date.issued	2021-12-02
dc.description.abstract	The works secured to by the umbrella term “Gothic” are so shifted in fashion, thematic interests, and account impacts that an overarching definition gets to be tricky and even undesirable. The modern Gothic, drawing on an as of now divided and heterogenic artistic tradition, is less a sort than a minimal sort of composing that resuscitates more seasoned repulsions and formulas and channels them through the reverberate chambers of the nowadays distraction with the social esteem of transgresses writing
dc.format	application/pdf
dc.identifier.uri	https://geniusjournals.org/index.php/erb/article/view/198
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/66549
dc.language.iso	eng
dc.publisher	Genius Journals
dc.relation	https://geniusjournals.org/index.php/erb/article/view/198/171
dc.source	Eurasian Research Bulletin ; Vol. 2 (2021): ERB; 73-77
dc.source	2795-7675
dc.subject	Gothic
dc.subject	modern writing
dc.subject	post-millennial writing
dc.subject	class
dc.title	The Modern Gothic in Twentieth Century
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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