THE IMAGE OF AN ETHNIC HERO IN DASTAN STORIES

dc.contributor.authorBarno Abdullaeva
dc.date.accessioned2025-12-28T18:10:14Z
dc.date.issued2024-05-23
dc.description.abstractThis article, based on the richest factual material, examines the image of the ethnic hero in the dastan stories, provides judgments regarding his artistic originality, and contains a number of theoretical views on the essence of positive and negative images. It is noted that an important place in the epic is occupied by motives that determine the hero’s virtues, his patriotism, punishment of oppressors, the struggle for justice and truth, and the achievement of life-affirming goals. In addition, an important point is that in the dastan stories the ethnic hero and the image of the horse should be considered as a holistic unity.
dc.formatapplication/pdf
dc.identifier.urihttps://ajird.journalspark.org/index.php/ajird/article/view/1135
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/10709
dc.language.isoeng
dc.publisherJournals Park Publishing
dc.relationhttps://ajird.journalspark.org/index.php/ajird/article/view/1135/1093
dc.sourceAmerican Journal of Interdisciplinary Research and Development; Vol. 28 (2024); 206-210
dc.source2771-8948
dc.subjectImage, dastan, dastan story, ethnicity, epic, Gorogly, ethnic hero, war horse, Girat, negative image, diva, classification of images, Khorezm, Ashikname, plot, artistic depiction.
dc.titleTHE IMAGE OF AN ETHNIC HERO IN DASTAN STORIES
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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