VARIOUS THEORIES ON THE ORIGIN OF THE UD INSTRUMENT

dc.contributor.authorHasanov Azamat Oktamovich
dc.date.accessioned2025-12-29T12:35:46Z
dc.date.issued2025-11-28
dc.description.abstractThis article analyzes various theories concerning the origin of the ud, one of the most significant instruments of the Near Eastern musical culture. Based on similarities with ancient instruments and the presence of ud-like instruments in the civilizations of Ancient Egypt, Mesopotamia, Persia, and the Arab world, the discussion explores which of them may be considered the direct ancestor of the ud. The ideas proposed in archaeological, historical, and iconographic sources are evaluated according to scientific criteria
dc.formatapplication/pdf
dc.identifier.urihttps://westerneuropeanstudies.com/index.php/2/article/view/3000
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/19322
dc.language.isoeng
dc.publisherWestern European Studies
dc.relationhttps://westerneuropeanstudies.com/index.php/2/article/view/3000/2079
dc.rightshttps://creativecommons.org/licenses/by-nc/4.0
dc.sourceWestern European Journal of Linguistics and Education; Vol. 3 No. 11 (2025): WEJLE; 76-78
dc.source2942-190X
dc.subjectInstrument
dc.subjectSound
dc.subjectTheory
dc.subjectEastern music
dc.titleVARIOUS THEORIES ON THE ORIGIN OF THE UD INSTRUMENT
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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