VARIOUS THEORIES ON THE ORIGIN OF THE UD INSTRUMENT
| dc.contributor.author | Hasanov Azamat Oktamovich | |
| dc.date.accessioned | 2025-12-29T12:35:46Z | |
| dc.date.issued | 2025-11-28 | |
| dc.description.abstract | This article analyzes various theories concerning the origin of the ud, one of the most significant instruments of the Near Eastern musical culture. Based on similarities with ancient instruments and the presence of ud-like instruments in the civilizations of Ancient Egypt, Mesopotamia, Persia, and the Arab world, the discussion explores which of them may be considered the direct ancestor of the ud. The ideas proposed in archaeological, historical, and iconographic sources are evaluated according to scientific criteria | |
| dc.format | application/pdf | |
| dc.identifier.uri | https://westerneuropeanstudies.com/index.php/2/article/view/3000 | |
| dc.identifier.uri | https://asianeducationindex.com/handle/123456789/19322 | |
| dc.language.iso | eng | |
| dc.publisher | Western European Studies | |
| dc.relation | https://westerneuropeanstudies.com/index.php/2/article/view/3000/2079 | |
| dc.rights | https://creativecommons.org/licenses/by-nc/4.0 | |
| dc.source | Western European Journal of Linguistics and Education; Vol. 3 No. 11 (2025): WEJLE; 76-78 | |
| dc.source | 2942-190X | |
| dc.subject | Instrument | |
| dc.subject | Sound | |
| dc.subject | Theory | |
| dc.subject | Eastern music | |
| dc.title | VARIOUS THEORIES ON THE ORIGIN OF THE UD INSTRUMENT | |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Peer-reviewed Article |
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