THE MAIN PRINCIPLES OF THE ART OF GRIME IN THE WORLD THEATER

dc.contributor.author	Rizayeva Robiya Abdukakhor Qizi
dc.date.accessioned	2025-12-29T12:11:30Z
dc.date.issued	2024-05-06
dc.description.abstract	This article discusses the importance of make-up in theater art, the early form of theatrical make-up and religious ritual events, and the make-up of Ancient Greek theater, Ancient Roman theater, Indian theater, Chinese theater make-up, No and kobuki Japanese theater make-up
dc.format	application/pdf
dc.identifier.uri	https://westerneuropeanstudies.com/index.php/1/article/view/773
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/18183
dc.language.iso	eng
dc.publisher	Western European Studies
dc.relation	https://westerneuropeanstudies.com/index.php/1/article/view/773/488
dc.rights	Copyright (c) 2024 Western European Journal of Modern Experiments and Scientific Methods
dc.rights	https://creativecommons.org/licenses/by-nc/4.0
dc.source	Western European Journal of Modern Experiments and Scientific Methods; Vol. 2 No. 5 (2024): WEJMESM; 18-22
dc.source	2942-1896
dc.subject	makeup
dc.subject	artist
dc.subject	artistic image
dc.title	THE MAIN PRINCIPLES OF THE ART OF GRIME IN THE WORLD THEATER
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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