V.O. PELEVIN'S ARTISTIC REALITY ON THE MATERIAL OF V. PELEVIN'S NOVEL GENERATION “P”

dc.contributor.authorAyupov T. R.
dc.date.accessioned2025-12-29T18:49:04Z
dc.date.issued2025-05-13
dc.description.abstractThere is little doubt that the system of symbols of the modern Russian mass media is completely false and expresses the ideology of consumption, and that this symbolic umbrella is covering the country more and more tightly. Everyone and everywhere, including the media, is saying that something must be done to avoid losing future generations in this ever-increasing system of false symbols. But in order to oppose something, you have to know it. V. Pelevin's novel Generation ‘P’, the main pathos of which is the rejection of consumer ideology, is of great interest in this sense.
dc.formatapplication/pdf
dc.identifier.urihttps://webofjournals.com/index.php/9/article/view/4183
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/26430
dc.language.isoeng
dc.publisherWeb of Journals Publishing
dc.relationhttps://webofjournals.com/index.php/9/article/view/4183/4139
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.sourceWeb of Humanities: Journal of Social Science and Humanitarian Research; Vol. 3 No. 5 (2025): WOH; 37-42
dc.source2938-3803
dc.subjectPelevin, postmodernism, intertext, allusion, reminiscence, cinema, reality, Generation “P”, artistic field.
dc.titleV.O. PELEVIN'S ARTISTIC REALITY ON THE MATERIAL OF V. PELEVIN'S NOVEL GENERATION “P”
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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