THEORETICAL AND METHODOLOGICAL FOUNDATIONS OF ENLIGHTENMENT DRAMATURGY
| dc.contributor.author | Asqarova Dilbarxon Asqarjon qizi | |
| dc.date.accessioned | 2025-12-25T04:22:45Z | |
| dc.date.issued | 2025-06-27 | |
| dc.description.abstract | This article presents an in-depth scientific analysis of the formation of enlightenment dramaturgy, its theoretical and methodological foundations, artistic expressive means, and socio-aesthetic functions. It focuses on how moral, social, and spiritual issues relevant to social life are artistically expressed through stage tools, how national consciousness and intellectual thinking are formed through dramatic works, the expression of pedagogical ideas via theatrical means, and the role of enlightenment dramaturgy in the understanding of national identity. | |
| dc.format | application/pdf | |
| dc.identifier.uri | https://scientaljournals.com/index.php/SJEHSS/article/view/124 | |
| dc.identifier.uri | 10.62536/sjehss.2025.v3.i6.pp90-94 | |
| dc.identifier.uri | https://asianeducationindex.com/handle/123456789/3590 | |
| dc.language.iso | eng | |
| dc.publisher | Sciental Journals Publishing | |
| dc.relation | https://scientaljournals.com/index.php/SJEHSS/article/view/124/106 | |
| dc.rights | https://creativecommons.org/licenses/by/4.0 | |
| dc.source | Sciental Journal of Education Humanities and Social Sciences; Vol. 3 No. 6 (2025): SJEHSS; 90-94 | |
| dc.source | 2961-0389 | |
| dc.source | 10.62536/sjehss.v3i6 | |
| dc.subject | Enlightenment dramaturgy, dramatic conflict, stage composition, character system, aesthetic function, pedagogical idea, national consciousness, artistic expression, theatrical means, spiritual renewal. | |
| dc.title | THEORETICAL AND METHODOLOGICAL FOUNDATIONS OF ENLIGHTENMENT DRAMATURGY | |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Peer-reviewed Article |
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