THE ARTISTIC AND AESTHETIC CHARACTERISTICS OF BAXSHI CREATIVITY AND THE MASTER–APPRENTICE TRADITIONS IN MAQOM ART

dc.contributor.author	Ashiraiyev Furqatjon Davron o‘g‘li
dc.date.accessioned	2025-12-29T12:35:45Z
dc.date.issued	2025-11-28
dc.description.abstract	This article explores the artistic and aesthetic characteristics of the baxshi tradition in relation to the maqom art and their shared pedagogical system of the master–apprentice model. The study analyzes the deep interconnection between epic performance and classical maqom singing within the cultural context of the Third Renaissance in Uzbekistan. Drawing upon recent musicological research, the article highlights how the synthesis of baxshi oral poetry and maqom’s modal structure serves as a unique foundation for national music education and identity
dc.format	application/pdf
dc.identifier.uri	https://westerneuropeanstudies.com/index.php/2/article/view/2998
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/19320
dc.language.iso	eng
dc.publisher	Western European Studies
dc.relation	https://westerneuropeanstudies.com/index.php/2/article/view/2998/2077
dc.rights	https://creativecommons.org/licenses/by-nc/4.0
dc.source	Western European Journal of Linguistics and Education; Vol. 3 No. 11 (2025): WEJLE; 66-70
dc.source	2942-190X
dc.subject	baxshi
dc.subject	maqom
dc.subject	oral tradition
dc.title	THE ARTISTIC AND AESTHETIC CHARACTERISTICS OF BAXSHI CREATIVITY AND THE MASTER–APPRENTICE TRADITIONS IN MAQOM ART
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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