THE ISSUE OF HARMONY IN CENTRAL ASIAN ARCHITECTURE

dc.contributor.author	Sherova Dilorom Abdullaevna
dc.date.accessioned	2025-12-31T13:51:30Z
dc.date.issued	2023-11-08
dc.description.abstract	In this article, the author analyzes the specific scientific and spiritual law of medieval oriental architecture, as well as the similarity of building methods and the peculiarities of architectural style and artistic symbols, creating a form that ensures the harmony of shapes and is the basis for geometric analysis. The differences and similarities of ancient monuments in Uzbekistan are also shown. In particular, the constructions of ancient buildings in Shakhrisabz, Samarkand and Khorezm
dc.format	application/pdf
dc.identifier.uri	https://scholarexpress.net/index.php/wbss/article/view/3361
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/47165
dc.language.iso	eng
dc.publisher	Scholar Express Journal
dc.relation	https://scholarexpress.net/index.php/wbss/article/view/3361/2864
dc.rights	https://creativecommons.org/licenses/by-nc-nd/4.0
dc.source	World Bulletin of Social Sciences; Vol. 28 (2023): WBSS; 15-18
dc.source	2749-361X
dc.subject	Art
dc.subject	architecture
dc.subject	harmony
dc.subject	building decorations,
dc.title	THE ISSUE OF HARMONY IN CENTRAL ASIAN ARCHITECTURE
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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