ACTING SKILLS IN WORKING WITH IMAGINARY OBJECTS AND ITS PSYCHOLOGICAL BASIS

dc.contributor.author	Zamira Akhmedova
dc.date.accessioned	2026-02-02T20:31:18Z
dc.date.issued	2026-02-02
dc.description.abstract	This article analyzes one of the most essential elements of acting—the process of working with imaginary (non-existent) objects. Based on K.S. Stanislavski’s principle of the "magic if" and Michael Chekhov’s theory of inner psychological energy, the study explores methods for achieving harmony between an actor’s attention, imagination, and physical action.
dc.format	application/pdf
dc.identifier.uri	https://usajournals.org/index.php/3/article/view/1906
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/113562
dc.language.iso	eng
dc.publisher	Modern American Journals
dc.relation	https://usajournals.org/index.php/3/article/view/1906/1992
dc.rights	https://creativecommons.org/licenses/by/4.0
dc.source	Modern American Journal of Social Sciences and Humanities; Vol. 2 No. 1 (2026); 85-91
dc.source	3067-8153
dc.subject	Magic if, scenic attention, creative imagination, inner energy, space, physical action, psychological justification.
dc.title	ACTING SKILLS IN WORKING WITH IMAGINARY OBJECTS AND ITS PSYCHOLOGICAL BASIS
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

item.page.files

pagination.showing.labelpagination.showing.detail

item.page.filesection.name: akhmedova_2026_acting_skills_in_working_with_imaginary.pdf
item.page.filesection.size: 482.11 KB
item.page.filesection.format: Adobe Portable Document Format