Selection of natures for practical painting lessons and organization of the working space.

dc.contributor.author	Mamitaliev Akhmadzhon Ganievich
dc.contributor.author	Adkhamova Oltina Rafikjonovna
dc.date.accessioned	2026-01-01T20:40:43Z
dc.date.issued	2023-04-10
dc.description.abstract	This article presents one of the genres of fine art, the genre of still life, theory, the creative process in the subject, reflections on the specific features of painting from nature, the choice of types and places of work for practical classes in painting from nature, information about the organization of the working space and a number of methodical recommendations
dc.format	application/pdf
dc.identifier.uri	https://geniusjournals.org/index.php/esh/article/view/3833
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/66057
dc.language.iso	eng
dc.publisher	Genius Publishing Group
dc.relation	https://geniusjournals.org/index.php/esh/article/view/3833/3244
dc.rights	https://creativecommons.org/licenses/by-nc-nd/4.0
dc.source	Eurasian Scientific Herald; Vol. 19 (2023): ESH; 51-57
dc.source	2795-7365
dc.subject	Still life
dc.subject	fine arts
dc.subject	student
dc.subject	teacher
dc.title	Selection of natures for practical painting lessons and organization of the working space.
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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