The aesthetic discourse of glass painting skills among students of the Institute of Popular Heritage

dc.contributor.author	Asst. Prof Ronak Abbood Jaber Al Mohammed
dc.date.accessioned	2025-12-29T08:06:31Z
dc.date.issued	2025-08-27
dc.description.abstract	The artist has embraced the art of painting as a pliant medium through which to convey his artistic eloquence, employing the material both as a foundation and a surface for execution— most notably in glass painting. The embodiment of aesthetic visual language manifests as a value worthy of consideration within the realm of elevated expression, particularly through the presence of skilled performance. Based on these premises, the study aimed to explore the aesthetic discourse embedded in the visual skills of glass painting among students of the Institute of Folk Heritage.
dc.format	application/pdf
dc.identifier.uri	https://peerianjournal.com/index.php/tpj/article/view/1197
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/14721
dc.language.iso	eng
dc.publisher	Peerian Journals Publishing
dc.relation	https://peerianjournal.com/index.php/tpj/article/view/1197/984
dc.rights	https://creativecommons.org/licenses/by/4.0
dc.source	The Peerian Journal; Vol. 45 (2025): TPJ; 53-67
dc.source	2788-0303
dc.subject	employing
dc.subject	value
dc.subject	premises
dc.subject	elevated
dc.title	The aesthetic discourse of glass painting skills among students of the Institute of Popular Heritage
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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