ARTISTIC EXPRESSION OF THE IMAGE OF THE POET IN MODERN UZBEK THEATRE

dc.contributor.authorF. Mannonova
dc.date.accessioned2025-12-28T10:50:16Z
dc.date.issued2025-06-19
dc.description.abstractThis article analyzes the stage interpretations of the play "Usmon Nosir" as performed at the Namangan Regional Theater and the Uzbek State Musical Academic Theater named after Muqumiy. The complex emotional experiences, internal struggles, and dreams of the poet are conveyed through contemporary theatrical tools such as acting, stage design, and musical composition. The director’s approach, symbolic stage imagery, and the aesthetic impact of theater on audience perception are examined.
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dc.identifier.urihttps://usajournals.org/index.php/2/article/view/496
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/4268
dc.language.isoeng
dc.publisherModern American Journals
dc.relationhttps://usajournals.org/index.php/2/article/view/496/536
dc.rightshttps://creativecommons.org/licenses/by/4.0
dc.sourceModern American Journal of Engineering, Technology, and Innovation; Vol. 1 No. 3 (2025); 158-161
dc.source3067-7939
dc.subjectCharacter, director, actor, performance, drama, theater, audience.
dc.titleARTISTIC EXPRESSION OF THE IMAGE OF THE POET IN MODERN UZBEK THEATRE
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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