THE ORIGIN OF THE ABSURD THEATRE

dc.contributor.authorIskandarova Navbakhor Ilkhomovna
dc.date.accessioned2025-12-29T18:48:05Z
dc.date.issued2024-03-06
dc.description.abstractThis paper deals with the issue of the origin of modern drama types, namely absurd theatre and its core that is related to philosophy. The importance of existentialism, which is the sub branch of philosophy, is analyzed throughout the article. Furthermore, different views, that were under the discussion of many philosophers and critics, on the term “absurd” are presented.
dc.formatapplication/pdf
dc.identifier.urihttps://webofjournals.com/index.php/9/article/view/887
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/26032
dc.language.isoeng
dc.publisherWeb of Journals Publishing
dc.relationhttps://webofjournals.com/index.php/9/article/view/887/855
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.sourceWeb of Humanities: Journal of Social Science and Humanitarian Research; Vol. 2 No. 3 (2024): WOH; 1-6
dc.source2938-3803
dc.subjectabsurd, existentialism, cleavage, essence, neo-realist; drama of non-communication; comedy of menace; dark comedy; drama of cruelty, chaotic.
dc.titleTHE ORIGIN OF THE ABSURD THEATRE
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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