"Sarmishsoy" talismans

dc.contributor.authorO`roqova Nilufar Azamatovna
dc.date.accessioned2026-01-01T12:36:08Z
dc.date.issued2022-06-21
dc.description.abstractThis article partially covers the study of rock paintings of the Sarmishsay State Museum-Reserve, the history of painting, the essence of the paintings, the culture, lifestyle and natural resources of the people of that time.
dc.formatapplication/pdf
dc.identifier.urihttps://zienjournals.com/index.php/zjssh/article/view/1953
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/64076
dc.language.isoeng
dc.publisherZien Journals
dc.relationhttps://zienjournals.com/index.php/zjssh/article/view/1953/1646
dc.rightshttps://creativecommons.org/licenses/by-nc/4.0
dc.sourceZien Journal of Social Sciences and Humanities; Vol. 9 (2022): ZJSSH; 52-54
dc.source2769-996X
dc.subjectPetroglyph
dc.subjectethnic culture
dc.subjectethnoculture
dc.title"Sarmishsoy" talismans
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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