THEORETICAL AND PRACTICAL BASIS OF FORMING PERFORMING SKILLS ON FOLK INSTRUMENTS

dc.contributor.author	Shokirkhonov Bakhtiyorkhon Botirkhonovich
dc.date.accessioned	2026-02-10T20:30:59Z
dc.date.issued	2026-02-10
dc.description.abstract	This article covers the historical formation of folk instruments, the pedagogical foundations of developing performing skills, the technology of tuning musical instruments, teaching based on the notation system, performing with piano accompaniment, and organizing stage performance and independent training. The study provides methodological recommendations aimed at improving the technical, musical and psychological preparation of instrumentalists.
dc.format	application/pdf
dc.identifier.uri	https://brightmindpublishing.com/index.php/ev/article/view/2108
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/114684
dc.language.iso	eng
dc.publisher	Bright Mind Publishing
dc.relation	https://brightmindpublishing.com/index.php/ev/article/view/2108/2135
dc.rights	https://creativecommons.org/licenses/by/4.0
dc.source	EduVision: Journal of Innovations in Pedagogy and Educational Advancements; Vol. 2 No. 2 (2026); 154-164
dc.source	3061-6972
dc.subject	Folk instruments, performing skills, gijjak, notation system, piano accompaniment, stage performance, independent training
dc.title	THEORETICAL AND PRACTICAL BASIS OF FORMING PERFORMING SKILLS ON FOLK INSTRUMENTS
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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