SHASHMAQOM AND WESTERN CLASSICAL MUSIC, A COMPARATIVE STUDY

dc.contributor.author	G. Y. Yusupova
dc.date.accessioned	2026-01-14T20:30:32Z
dc.date.issued	2026-01-14
dc.description.abstract	This article examines the structural, semantic, and axiological similarities between Western Classical Music, the foundation of European art music, and Shashmaqom, the classical musical legacy of Central Asia. Both traditions have profound aesthetic, intellectual, and spiritual aspects despite having different cultural and historical roots. To show how each musical system reflects the worldview of its people, the study examines modal organization, improvisational strategies, and axiological implications.
dc.format	application/pdf
dc.identifier.uri	https://brightmindpublishing.com/index.php/ev/article/view/1976
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/110898
dc.language.iso	eng
dc.publisher	Bright Mind Publishing
dc.relation	https://brightmindpublishing.com/index.php/ev/article/view/1976/2001
dc.rights	https://creativecommons.org/licenses/by/4.0
dc.source	EduVision: Journal of Innovations in Pedagogy and Educational Advancements; Vol. 2 No. 1 (2026); 149-153
dc.source	3061-6972
dc.subject	Shashmaqom, Western Classical Music, modal structure, improvisation, axiology, musical semantics, cultural dialogue, Sufi aesthetics.
dc.title	SHASHMAQOM AND WESTERN CLASSICAL MUSIC, A COMPARATIVE STUDY
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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