UZBEKISTAN MAQOM ART: HISTORICAL DEVELOPMENT AND REGIONAL TRADITIONS

dc.contributor.author	Xaydarova Rozaxon
dc.date.accessioned	2025-12-28T10:50:16Z
dc.date.issued	2025-06-19
dc.description.abstract	This article explores the historical development and regional traditions of Uzbek maqam music. It analyzes key schools such as the Bukhara Shashmaqom, Khorezm maqams, and the maqam repertoires of Fergana and Tashkent, highlighting their aesthetic and cultural significance. Special attention is given to the scholarly contributions of Dr. Ishoq Rajabov, the sacred status of maqams, and the continuity of oral traditions. The maqam is presented as an invaluable cultural heritage that reflects the spiritual and national identity of the Uzbek people.
dc.format	application/pdf
dc.identifier.uri	https://usajournals.org/index.php/2/article/view/495
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/4267
dc.language.iso	eng
dc.publisher	Modern American Journals
dc.relation	https://usajournals.org/index.php/2/article/view/495/535
dc.rights	https://creativecommons.org/licenses/by/4.0
dc.source	Modern American Journal of Engineering, Technology, and Innovation; Vol. 1 No. 3 (2025); 150-157
dc.source	3067-7939
dc.subject	Maqam, Shashmaqom, Duvozdahmaqom, Khorezm maqams, Fergana maqams, Ishoq Rajabov, musical heritage, oral tradition, national music culture.
dc.title	UZBEKISTAN MAQOM ART: HISTORICAL DEVELOPMENT AND REGIONAL TRADITIONS
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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