THE SIGNIFICANCE OF NATIONAL GRAPHICS TODAY
| dc.contributor.author | Juraboyev Najodbek Latibjonov | |
| dc.date.accessioned | 2025-12-29T13:42:24Z | |
| dc.date.issued | 2025-05-31 | |
| dc.description.abstract | The article discusses the history of the visual arts and graphic arts of Uzbekistan, its origin and stages of development, directions and styles, its significance today, and book graphics. | |
| dc.format | application/pdf | |
| dc.identifier.uri | https://webofjournals.com/index.php/12/article/view/4447 | |
| dc.identifier.uri | https://asianeducationindex.com/handle/123456789/20680 | |
| dc.language.iso | eng | |
| dc.publisher | Web of Journals Publishing | |
| dc.relation | https://webofjournals.com/index.php/12/article/view/4447/4697 | |
| dc.rights | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
| dc.source | Web of Scientists and Scholars: Journal of Multidisciplinary Research; Vol. 3 No. 5 (2025): WOSS; 315-316 | |
| dc.source | 2938-3811 | |
| dc.subject | visual arts, artist, etching, xelography, linocut, enstamp, charcoal, sepia, sangina, pencil, paper, eraser. | |
| dc.title | THE SIGNIFICANCE OF NATIONAL GRAPHICS TODAY | |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | info:eu-repo/semantics/publishedVersion | |
| dc.type | Peer-reviewed Article |
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