BEHAVIOR ON THE STAGE

dc.contributor.authorShavkat Shukhratovich Rasulov
dc.date.accessioned2025-12-29T18:17:04Z
dc.date.issued2025-10-21
dc.description.abstractThis article discusses the fact that movement is the basis of stage art. Recommendations are given regarding stage movement. K.S. Stanislavsky's definitions of movement are cited as examples to prove the idea.
dc.formatapplication/pdf
dc.identifier.urihttps://webofjournals.com/index.php/4/article/view/5272
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/25515
dc.language.isoeng
dc.publisherWeb of Journals Publishing
dc.relationhttps://webofjournals.com/index.php/4/article/view/5272/5303
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.sourceWeb of Technology: Multidimensional Research Journal; Vol. 3 No. 10 (2025): WOT; 43-46
dc.source2938-3757
dc.subjectStage action, scene, image,
dc.titleBEHAVIOR ON THE STAGE
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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