The Post-Colonial Concept of Hybridity and Cultural Identity in Rushdie’s Satanic Verses

dc.contributor.authorZahid Habeeb Khabut Alabbasi
dc.contributor.authorEntidhar Al-Rashid
dc.contributor.authorHameed Abdulameer Hameed Alkhafaji
dc.date.accessioned2026-01-02T10:43:14Z
dc.date.issued2022-04-20
dc.description.abstractThe Satanic Verses is considered the most controversial and stirring novel ever written by Rushdie. It captured the fundamental aspects of the lives of migrants in foreign countries, especially in Western nations like England. Rushdie illustrates that “If the Satanic Verses is anything, it is a migrant's-eye view of the world”
dc.formatapplication/pdf
dc.identifier.urihttps://geniusjournals.org/index.php/ejhss/article/view/1061
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/76051
dc.language.isoeng
dc.publisherGenius Journals
dc.relationhttps://geniusjournals.org/index.php/ejhss/article/view/1061/943
dc.sourceEurasian Journal of Humanities and Social Sciences; Vol. 7 (2022): EJHSS; 63-71
dc.source2795-7683
dc.subjectVerses
dc.subjectWestern
dc.subjectworld
dc.subjectanything
dc.titleThe Post-Colonial Concept of Hybridity and Cultural Identity in Rushdie’s Satanic Verses
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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