THE LINGUOCULTURAL FEATURES OF MUSIC TERMS FORMED THROUGH METAPHORS

dc.contributor.authorShohsida Eshbotayeva
dc.date.accessioned2025-12-29T18:48:26Z
dc.date.issued2024-12-09
dc.description.abstractThis article investigates the role of metaphor as a national-cultural unity in the formation of music terms and examines how the process of constructing concepts related to specific fields is based on the knowledge present in collective consciousness.
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dc.identifier.urihttps://webofjournals.com/index.php/9/article/view/2425
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/26208
dc.language.isoeng
dc.publisherWeb of Journals Publishing
dc.relationhttps://webofjournals.com/index.php/9/article/view/2425/2402
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.sourceWeb of Humanities: Journal of Social Science and Humanitarian Research; Vol. 2 No. 12 (2024): WOH; 44-46
dc.source2938-3803
dc.subjectTerm, music term, metaphor, linguoculturology, national-cultural features.
dc.titleTHE LINGUOCULTURAL FEATURES OF MUSIC TERMS FORMED THROUGH METAPHORS
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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