Representation of Human Face, Hands, Clothes in Painting and Pencil Drawing

dc.contributor.authorRo‘zixon Jalilova
dc.date.accessioned2026-01-01T10:32:43Z
dc.date.issued2023-05-13
dc.description.abstractIn this article, the role of pencil drawing, easel painting composition in the visual arts of Uzbekistan, the character of the face of the human figure, and the method of depicting the slave are covered.
dc.formatapplication/pdf
dc.identifier.urihttps://zienjournals.com/index.php/tjpch/article/view/3923
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/60229
dc.language.isoeng
dc.publisherZien Journals
dc.relationhttps://zienjournals.com/index.php/tjpch/article/view/3923/3247
dc.rightshttps://creativecommons.org/licenses/by/4.0
dc.sourceTexas Journal of Philology, Culture and History ; Vol. 18 (2023): TJPCH; 41-45
dc.source2770-8608
dc.subjectArt College
dc.subjectvocational college
dc.subjectpedagogical universities
dc.titleRepresentation of Human Face, Hands, Clothes in Painting and Pencil Drawing
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion

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