The Question Of The Instrument Concerto In Uzbek Composing And Of Form In Instrumental Ensembles

dc.contributor.authorMirzohid Bazarov
dc.date.accessioned2025-12-29T08:05:44Z
dc.date.issued2024-04-06
dc.description.abstractThis article describes the problems and successes of the instrument concert and chamber instruments in Uzbek compositional creativity, interprets their scientific and creative principles, describes author's works, proves them from a scientific point of view, studies of the form issues of the instrument concert and its musical expressive means, comparative analysis of concerts for piano and orchestra on world music history, interprets the, their structure and innovations are covered and analyzed scientifically and creatively.
dc.formatapplication/pdf
dc.identifier.urihttps://peerianjournal.com/index.php/tpj/article/view/796
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/14519
dc.language.isoeng
dc.publisherPeerian Journals Publishing
dc.relationhttps://peerianjournal.com/index.php/tpj/article/view/796/662
dc.rightshttps://creativecommons.org/licenses/by/4.0
dc.sourceThe Peerian Journal; Vol. 29 (2024): TPJ; 12-17
dc.source2788-0303
dc.subjectmusic
dc.subjectart
dc.subjectinstrumental performance
dc.subjectcomposer
dc.titleThe Question Of The Instrument Concerto In Uzbek Composing And Of Form In Instrumental Ensembles
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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