DEPICTING A PORTRAIT OF A PERSON IN ONE COLOUR ON A SOLID BACKGROUND (GRISAILLE)

dc.contributor.authorRuzikhon Djalilova Kazakovna
dc.date.accessioned2025-12-28T19:25:01Z
dc.date.issued2025-02-11
dc.description.abstractThis article describes the composition of the portrait and the human figure. The rules of the methodical-step method of drawing a portrait of a human figure in the grille technology. The constructive construction of the portrait, the correct placement of the subject, the analysis of anatomy, and the spatial perspective of oil painting were considered.
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dc.identifier.urihttps://ejird.journalspark.org/index.php/ejird/article/view/1287
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/12360
dc.language.isoeng
dc.publisherJournal Park Publishing
dc.relationhttps://ejird.journalspark.org/index.php/ejird/article/view/1287/1205
dc.rightshttps://creativecommons.org/licenses/by-nd/4.0
dc.sourceEuropean Journal of Interdisciplinary Research and Development ; Vol. 36 (2025); 31-40
dc.source2720-5746
dc.subjectOil just, impartial canvas, painting, grisaille, portrait, spatial perspective.
dc.titleDEPICTING A PORTRAIT OF A PERSON IN ONE COLOUR ON A SOLID BACKGROUND (GRISAILLE)
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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