THE PROBLEM OF WORKING ON A STILL LIFE COMPOSITION MADE OF DIFFERENT COLORED OBJECTS ON A CONTRASTING BACKGROUND

dc.contributor.authorJabbarov Botirsher Gulomovich
dc.date.accessioned2025-12-29T18:48:02Z
dc.date.issued2024-01-16
dc.description.abstractThis article talks about the rules of creating a composition from different colored objects in painting, which is the main specialty of higher educational institutions specializing in fine arts, and the specific aspects of its work on a contrast background are analyzed.
dc.formatapplication/pdf
dc.identifier.urihttps://webofjournals.com/index.php/9/article/view/659
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/25994
dc.language.isoeng
dc.publisherWeb of Journals Publishing
dc.relationhttps://webofjournals.com/index.php/9/article/view/659/638
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.sourceWeb of Humanities: Journal of Social Science and Humanitarian Research; Vol. 2 No. 1 (2024): WOH; 25-28
dc.source2938-3803
dc.subjectstill life, frontal, volumetric, deep-spatial composition, laws of composition, rules, styles, tools, contrasting objects, chromatic colors, warm and cold colored objects, solid background, linear and aerial perspective, harmony, integrity, spatiality.
dc.titleTHE PROBLEM OF WORKING ON A STILL LIFE COMPOSITION MADE OF DIFFERENT COLORED OBJECTS ON A CONTRASTING BACKGROUND
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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