EASTERN AND WESTERN TRADITIONS IN UZBEK SCULPTURE

dc.contributor.author	Ulugbek Kadirovich Yusupov
dc.date.accessioned	2025-12-28T12:11:48Z
dc.date.issued	2025-06-26
dc.description.abstract	The article analyzes the harmony of Western and Eastern artistic traditions in the work of representatives of Uzbekistan's schools of sculpture. Issues such as the aesthetic and philosophical foundations of Western-Eastern harmony, financial constraints, and maintaining aesthetic balance, as well as future prospects through digital platforms and international cooperation, will be discussed. This analysis highlights the place of Uzbek sculpture in the global art scene and its cultural significance.
dc.format	application/pdf
dc.identifier.uri	https://usajournals.org/index.php/6/article/view/610
dc.identifier.uri	https://asianeducationindex.com/handle/123456789/4935
dc.language.iso	eng
dc.publisher	Modern American Journals
dc.relation	https://usajournals.org/index.php/6/article/view/610/668
dc.rights	Copyright (c) 2025 Modern American Journal of Linguistics, Education, and Pedagogy
dc.rights	https://creativecommons.org/licenses/by/4.0
dc.source	Modern American Journal of Linguistics, Education, and Pedagogy; Vol. 1 No. 3 (2025); 773-780
dc.source	3067-7874
dc.subject	Uzbek Sculpture, National Traditions, Contemporary Art, International Exhibitions, International Cooperation, Digital Platforms.
dc.title	EASTERN AND WESTERN TRADITIONS IN UZBEK SCULPTURE
dc.type	info:eu-repo/semantics/article
dc.type	info:eu-repo/semantics/publishedVersion
dc.type	Peer-reviewed Article

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