ORIGIN OF THE COLOR IMAGE

dc.contributor.authorIsakova Bakhitgul
dc.date.accessioned2025-12-29T18:48:06Z
dc.date.issued2024-03-10
dc.description.abstractColor imaging has undergone a fascinating evolution, tracing its origins back to ancient times when early civilizations experimented with natural pigments to create colorful artworks. However, it wasn't until the 19th century that significant advancements in color reproduction techniques emerged, with pioneers such as James Clerk Maxwell and Thomas Sutton laying the groundwork for modern color photography. This article explores the journey of color imaging, from the discovery of additive and subtractive color mixing principles to the development of innovative technologies like the three-color process and Kodachrome film. Furthermore, it delves into the digital era, highlighting the revolution brought about by digital sensors and image processing algorithms, which have democratized color photography and transformed the way we capture, manipulate, and perceive color images in the modern age.
dc.formatapplication/pdf
dc.identifier.urihttps://webofjournals.com/index.php/9/article/view/900
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/26033
dc.language.isoeng
dc.publisherWeb of Journals Publishing
dc.relationhttps://webofjournals.com/index.php/9/article/view/900/868
dc.rightshttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.sourceWeb of Humanities: Journal of Social Science and Humanitarian Research; Vol. 2 No. 3 (2024): WOH; 7-12
dc.source2938-3803
dc.subjectColor imaging, photography, additive color, subtractive color, digital photography, color reproduction, image processing.
dc.titleORIGIN OF THE COLOR IMAGE
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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