The Interrelation of Musical Styles in the Symphonic Creation of Composer Tolkin Kurbonov

dc.contributor.authorAdurazzokova Mehriban Jalaluddin's Qizi
dc.date.accessioned2026-01-01T12:36:17Z
dc.date.issued2022-10-11
dc.description.abstractIn this article, the importance of forms, texture, musical means of expression in the symphonic work of the Uzbek composer Tulqin Kurbanov, as well as the issues of interaction of musical styles are highlighted. (In the example of symphony #6)
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dc.identifier.urihttps://zienjournals.com/index.php/zjssh/article/view/2474
dc.identifier.urihttps://asianeducationindex.com/handle/123456789/64141
dc.language.isoeng
dc.publisherZien Journals
dc.relationhttps://zienjournals.com/index.php/zjssh/article/view/2474/2079
dc.rightshttps://creativecommons.org/licenses/by-nc/4.0
dc.sourceZien Journal of Social Sciences and Humanities; Vol. 13 (2022): ZJSSH; 29-30
dc.source2769-996X
dc.subjectSymphony
dc.subjectform
dc.subjecttexture
dc.subjecttheme
dc.titleThe Interrelation of Musical Styles in the Symphonic Creation of Composer Tolkin Kurbonov
dc.typeinfo:eu-repo/semantics/article
dc.typeinfo:eu-repo/semantics/publishedVersion
dc.typePeer-reviewed Article

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